Its easy to imagine a scholar having conflicting feelings about popular entertainment that brings history to a large, enthusiastic audience but paints a distorted picture of real people and their times. Such feelings may be especially acute in the case of Hamilton: An American Musical, which excels at sacrificing historical accuracy while telling an engaging morality tale.
Can Great Art Also Be Great History?
By Kenneth Owen
This
article
appeared in
the Spring 2017 issue of The Independent Review.
Culture and SocietyEconomic History and DevelopmentEconomyEntertainmentGovernment and PoliticsPolitical History