Wednesday, December 8, 1993
Has Holleywood the American dream factory become Hollywood the American nightmare factory? Is most of Hollywood just self-destructive as it ridicules censorship of TV violence, and in survey after survey, large majorities are registering a distaste for the entertainment industry's torrent of nihilistic, violent, and degrading work. Voting with their money, the public has largely turned such projects into financial ruin, while those vilms, TV, and other programs that embody values of individual achievement and humaneness are increasingly proving to be the real economic success stories.
For example, of the 1,100 films released since 1983, the average rating of the most financially successful film was PG, despite the predominance of R-rated films. In a recent Parents magazine pool, 72% rated TV as fair, poor, or terrible , and according to Gallup, only 3% of Americans believe TV conveys positive values, whereas 58% say they are often offended.
Employing meticulous research in American popular culture, Michael Medved, will draw upon his best-selling book, Hollywood vs. America, to present a comprehensive and devastating critique of why movies, popular music, and television have become dominated by brutality and a hatred for civility. Combining a passionate concern for the intellectual precision, Michael Medved will discuss how an industry can ignore the message of the market and lose touch with its audiences and the values of a free society.
In his talk, he will describe the Three Big Lies of Hollywood that have created this situation. Is Hollywood's self-destructive conduct rooted in a "political correctness" that scorns conventional America? Has an artistic disdain for "mere" commerical considerations blinded an industry into becoming prey to every peer pressure, arrogance, and emotional insecurity, and crackpot crusade to purge society?
Michael Medved and Hollywood vs. America are transforming the debate over popular culture, calling the bluff of a cynical media. Rejecting censorship as a dangerous offshoot of the assault on values, Medved demonstrates how public pressures can instead produce powerful results in bringing Hollywood into a business and cultural arena where beauty is not ridiculed; men, women, and children are not brutalize, and cruelty is not exalted.